Response to 'Blue Song (Minte Royale)' by Edgar Wright

In 2003, Edgar Wright directed a music video for the band Minte Royale featuring several comedians including Noel Fielding and Julian Barratt (The Mighty Boosh), Nick Frost (Spaced, Shaun of the Dead) and Michael Smiley (Spaced). The video accompanies Minte Royale's 'Blue Song', for three and a half minutes, following a getaway driver (Fielding) as he entertains himself by listening to the song whilst waiting for his accomplices to come back.
Image result for blue song mint royale

I think Wright does an excellent job of combining comedy with a typically serious and dark situation, making the music video interesting to watch as it contains a plot that could easily be part of a longer story-line, even feature length, but is interesting enough as a self-contained narrative, as Wright uses the short time he has to effectively establish the main protagonist's personality through small tropes, for example, Fielding's character's use of the wind-screen wipers of his getaway car to accompany his dance moves, suggests he has a sense of humour, and his annoyance at the windscreen becoming dirty suggests he cares about his car staying clean (unusual for a getaway driver).
Overall Wright has directed a successful and entertaining music video that has gone on to influence his newer work, such as his 2017 feature film 'Baby Driver'.

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Response to 'The Arrival' by Daniel Montanarini

In 2016, Daniel Montanarini directed a short film called 'Arrival' which follows a pregnant woman's inner monologue as she waits in a cafe to tell the man this news. She debates in her head whether or not to keep it, eventually coming to a decision at the end of the film, just before the man arrives. This film is, overall, theatrical. It consists entirely of the expressions of the woman (Anna) and her inner monologue conveyed with a voice-over. It is like the cafe is her stage, as everything from the spotlight on the lead actress to the over-the-top expressions to the well blocked extras in the background exudes drama. Montanarini's camerawork is effective. He uses a simple zoom-in as the scene progresses, building to the climax of the film which is a train going past the window as Anna reaches her decision (whether this is literal or metaphorical or both seems ambiguous). I think all of these features achieve what Montanarini was trying to which, as he said in an...

Narrative Structures in Film

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Response to 'Echo' by Lewis Arnold

In 2011, Lewis Arnold directed a short film called 'Echo'. It follows Caroline, a 17 year old girl, who gets a phone call informing her that her dad has been in an accident. However, as the film continues we learn that, though this event did happen, Caroline was pretending to get the call again to con people in the street into giving her money. The film is an interesting exploration of grief and the ways people deal with it, but the most interesting element, I feel, is the narrative structure. In an interview I watched, Arnold explains that the film was written in three parts; three phone calls, the first using long takes to be the most objective, and allows the audience to take the place of pedestrians on the street so that the scene remains ambiguous, to leave the viewer wondering what exactly is happening. Then, when the second phone call takes place, the audience enters the scene from the point of view of Caroline's younger brother. This makes it clear that no...

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